Alla Antonio Pisanellos Oljemålningar

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57228

A portrait of a young princess

mk255 about 1435-1440 about 0.43 meters high, 0.30 meters wide. Paris, the Louvre

1568

Ginepro d'Este

c1440 Musee du Louvre, Paris

40187

Madonna of Humility

mk156 c.1442 Tempera on panel 62x48.8cm

1573

Portrait of the Emperor Sigismund

1432-33 Art History Museum, Vienna

1571

The Virgin and the Child with Saints George and Anthony Abbot

National Gallery, London

40186

The Vision of Saint Eustace

mk156 1438-1442 Tempera on panel 54.8x65.5cm

1567

The Vision of St.Eustace

National Gallery, London

30415

Tournament

mk68 Fresco Mantua Ducal Palace 1446-1447

53660

Virgin and child with St. Goran and St Antonius

mk234 1400-century middle 47x29cm

Antonio Pisanello

1395-1451 Italian Antonio Pisanello Galleries professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. He is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings. He is the most important commemorative portrait medallist in the first half of the 15th century. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem of the Gonzaga and Este families. He had many of his works wrongly ascribed to other artists such as Piero della Francesca, Albrecht Durer and Leonardo da Vinci, to name a few. While most of his paintings have perished, a good many of his drawings and medals have survived.

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